Live Alone And Like It
Mel Torme - Live Alone and Like Itand
The episode was the 19th episode for the show's first season. The episode was written by Jenna Bans and was directed by Arlene Sanford. It originally aired on Sunday April 17, Lynette reluctantly cares for Mrs. McCluskey after she collapses in front of her after taking too much medication. Karen then thanks her for what she did and begins to start intruding on her life and tells her not to help if it's only because she feels obligated since they're not friends.
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I had no fantasies about my wedding day, only about my writing place: a little garret overlooking some scenic rooftops, precise location to be determined, where nobody, least of all my parents, could come in without knocking and accidentally banish the muse. I was always, in these dreams, in the middle of some great creative project, never at the tentative beginning or the slog-like end, never stuck and procrastinating by looking up pictures of bigger, better, prettier garrets online. I never particularly worried about how I would manage the other part of the equation that Woolf lays out, the a year or whatever that would be today, in London or Paris or New York or wherever my room happened to be.
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Marjorie Hillis — was an American author of popular nonfiction books for women in the s. Her book Live Alone and Like It was one of the most popular titles of the decade. After completing her education at Miss Dana's School for Young Ladies , a private school in New Jersey, and traveling abroad for a year, Marjorie went to work writing captions for Vogue magazine's pattern book. Hillis eventually became Vogue's assistant editor. In , she published the year's number eight nonfiction bestseller, Live Alone and Like It, an advice book for young women on how to live independently.
Ordinarily, it is not necessary to prove one's credentials as a reviewer. But in this instance, our subject today being self-help books for single girls, here are some facts you may care to know. Second, and this may be more pertinent, when I was in my twenties, I read a book called Women Who Love Too Much, ooh, only about 48 times. In other words, I know all about single life. Sometimes, it is great; sometimes, it is grim. The literature pertaining to it, however, is always terrible I am not including fiction here, obviously , though women buy it all the same because a you can't get drunk every night; b sometimes your friends have better things to do than listen to you droning on; and c occasionally, one has an inexplicable longing for platitudes. Even so, once the box of Kleenex is empty, you get to wondering how so much drivel gets published.
Bestsellers that are annoyingly ubiquitous one decade have a funny way of slipping out of the cultural consciousness over the next. It makes the history of publishing a rich site for pop cultural archeology. In , Live Alone and Like It was a blockbuster. It was an utter marketing bonanza, with the publisher encouraging department stores to sell copies of the book alongside supplies for the Live-Alone life, clocks and clothes and other necessities. But Hillis was also making a very bold argument for her time, rethinking how women could live under their own roofs. The Extra Woman provides a glimpse into the pop cultural world that created all those sparkling musicals you see late at night on TCM, fully of slinky gowns and art deco dressing tables. But it also examines the broader cultural context, offering a window into the mass culture of the Great Depression.
Live Alone and Like It
Cyrille Aimee - "Live Alone and Like It" - Let's Get Lost